Beiträge

Berlin’s deep space dub techno scene has a voice, and Paul St Hilaire is surely the one most entitled to claim its title. The artist that first made his mark as Tikiman. Born in Grandbay on the Caribbean Island of Dominica but a true dub vocalist, Tikiman burst onto the scene during the mid-1990s The understated disco dub of “Never Tell You” was the earliest I can recall hearing of him, a debut 10-inch release on Basic Channel’s Burial Mix subsidiary.
Following plenty of other work for Rhythm & Sound, issued via various “Rounds,” Tikiman cropped up as a leading light of My Sound, the debut album by Stereotyp, with Tiki on particularly fine ragamuffin form on the opening title track. The False Tuned imprint was launched around the same time, with first issue “Dub It Witaattitude” pointing away from the techno dominance of the past, and grounding more solidly with the roots reggae that directly inspired him – a fantastic debut with very high production values and a pleasurable organic sensibility. But just in case we thought we knew where the label was headed, the lovestruck collaboration with Rene Lowe titled “Faith” was swathed in the same fog of swirling sub-dub techno beats that marked out his early work.
Ten years ago, Tikiman told journalist Karsten Frehe that “My philosophy is not to stick on one style, but to be open to all good music.” What the future holds for Paul St Hilaire’s music is thus anyone’s guess, but the off-kilter reggae and hypnotic techno that has made up his oeuvre so far ensures the next release is definitely worth seeking out and investigating.
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Das Projekt „Blue Moon Riddim“ ist eine kollektive Produktion mit mehreren Sängern auf einem Riddim, der ursprünglich von Pablo Géléoc aka Jean-Paul Dub komponiert wurde:
 

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Tracklist:
1.0 Ras Bigga intro Rastafari
2.0 Round Four Feat. Tikiman – \“Found A Way\“ [full lenght]
3.0 Rhauder feat. Paul St. Hilaire – Sidechain (dub version)B1 [ORN023]
4.0 Mind Over Midi feat. Tikiman – Champion
5.0 Rhauder feat Paul St Hilaire – Sidechain (pop-a-dub version) [ORN023] B2
6.0 Beat Pharmacy – Don’t Bodda Me Feat Paul St Hilaire
7.0 Rhythm & Sound – Spend some time ( /w tikiman )
8.0 Rhauder Feat Paul St Hilaire – No News (Rhauder’s Dub)
9.0 Rhauder & Paul St. Hilaire – No News (Assemblage Mix)
10.0 Rhythm & Sound – Music a fe rule part 1 ( /w tikiman )
11.0 Beat Pharmacy Nuclear Race
12.0 Martinez feat. Paul St Hilaire – Grandma (Vocal + Version)
13.0 Rhythm & Sound – Never Tell You (Version)
14.0 Rhythm & Sound Free for All (with Paul St. Hilaire)
15.0 Deadbeat And Paul St Hilaire – Yesterdays Dreams
16.0 Deadbeat – Rock Of Creation ( feat. Paul St. Hilaire )
17.0 Deadbeat and Paul St. Hilaire Working Everyday
18.0 Rhythm & Sound w Walda Gabriel – Boss Man (Tiki’s Pure Blue Remix)
19.0 Mind Over Midi – Revelation
20.0 René Löwe – Faith (No Vox Mix)
21.0 Rastafari Elders Dialogue
 

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Paul St. Hilaire is a reggae vocalist from the island of Dominica in the Caribbean. He collaborated with Rhythm & Sound (Moritz von Oswald & Mark Ernestus) who produced a series of legendary releases featuring his vocals on their label Burial Mix, releases that have inspired a generation of listeners. He had numerous guest appearances on electronic releases by Stereotype, Deadbeat, Beat Pharmacy & Modeselektor. Paul’s dub-poetry has always had an elemental power about it – a power that has often been best realised when it is played off the synthetic tones of dub techno. These long tracks unfold slowly, their hunting drumbeats tethered in delay and ground-shaking sub-bass lines. St. Hilaire hovers at the centre of all of this, his vocals tumbling down as if out of the sky. Over 21 tunes are gathered here. Deep tracks drawn out of the singular fusion of roots reggae and dub with elements of experimental techno that have become the characteristic of the Berlin aesthetic. The tones of the artist’s Caribbean home island Dominica softens the urban edge. The unique voice of Paul St. Hilaire talks to us about the up and downs of our private lives and our all-encompassing involvement in world politics. This music opens up a window to the reggae of tomorrow. A window without borders & boundaries, a window where anything is possible…
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